Blur, Hong Kong, and The Tienanmen Square Massacre
Published February 15th, 2025
On June 4th 1989, a series of Student protests in Tienanmen Square, Beijing came to a violent end when the Chinese government declared martial law and deployed troops to occupy the square. The resulting violence resulted in literal countless deaths. No one agrees on the actual count. Estimates range from several hundred to a few thousand based on hospital records and testimonials from victim’s family members.
This website is now unreadable in China, if it wasn’t already before
In the internet age, under China’s robust censorship, both mainland dissidents and people from Hong Kong have looked for ways to express their disdain for government policy in a way that won’t automatically be filtered, and appears benign, and is often unreadable to those who are cultural outsiders.
For example, the 2019-2020 pro-democracy protests, sparked off by the 2019 extradition bill, and which slowly fizzled out due to (what feels like) the only major event of 2020 that wasn’t a protest, the COVID-19 pandemic. These protests used code words such as ‘ghost’ for ‘undercover police’ and ‘rain’ for ‘tear gas,’ an homage to these protests history of using umbrellas to fend off tear gas. Furthermore “Kongish,” a romanized version of Cantonese, was used in communications regarding this protests. With sufficient use of codewords and internet memes (unfortunately now a major player in politics) communication could be thoroughly veiled to bypass automated censorship or even human scrutiny.
This is a disservice to the intricacies of the protest and I strongly encourage you to learn more about it from someone who isn’t a white Floridian-New Yorker.
In 2015, Blur released The Magic Whip, an album based on their experience touring and staying on Hong Kong, working on a reunion project in a tiny studio. Their album was inspired by tiny living spaces, days on the Java Sea, and – it unfortunately goes without saying – the controversial politics of Hong Kong, including the preceding 2014 Umbrella Revolution.
Damon Albarn the lead singer of Blur is no stranger to Hong Kong protests. In fact in 2003, he and Jamie Hewlett used their musical outfit and art project Gorillaz to create material in solidarity with and raising awareness for the 2003 protests.
There’s a lot to talk about with the Magic Whip in particular, but the song that inspired this article and unifies it’s thesis is a song called Ice Cream Man. It uses lyrics that sound incredibly benign, even childish, to talk about the tragedy that occurred at Tienanmen Square, in reference to the heavy censorship that this topic faces. The Chinese military presence, becomes “the ice cream man, parked at the end of the road.” The deadly escalation of violence becomes a “swish of his magic whip” evoking maybe a fantastical image, but a still has the imagery of a whip evoking the cruelty of the power exercised. Hundreds of people didn’t die, “all the people at the party froze.”
I guess my point is the power of censorship, but also the profound ability of the people to resist it. My first exposure to this type of censorship is when referencing the massacre became a popular internet meme. It was noted by a 4chan user that if he was upset at a Chinese player in a video game, he could take that user offline with by copy-pasting a string of keywords referencing injustices done by the Chinese government. This meme was often propagated with a lot of anti-Asian racism, resulting in a large response of people pointing out the kind of injustices the US government has committed including a very similar Philidelphia Police bombing in the 1980s, WWII Japanese Internment camps, and basically anything the CIA has admitted to doing.
Authoritarianism is not your friend. It will lie to you about the existence of atrocities and when you find out about them, intentionally justify them. Anyone lying about the deaths of civilians has something to gain from doing so.
This rings true especially today. I orginally wrote this analysis of the Magic Whip in October of 2024, before the US election. At the risk of sounding alarmist, this feels more pertinent than before. Now, we see large amounts of information being deleted from government databases, including transgender health information. We are seeing an increase in the abuse of rights of the people, especially immigrants, and government funding is going mysteriously missing. Now more than ever, it is important to discuss fascism, authoritarianism, and defend our rights by speaking and acting out.